LUCKY (2018)
The project is a reflection on intimacy aimed at raising questions about identity. Am I the one creating intimacy? Am I the one violating it? Or am I the one being violated? The subjectivity of emotions and the proximity between human beings are therefore some of the themes explored. The poetry of Wislawa Szymborska becomes the mantra of the movement on stage, projecting an idea of the labyrinth as a metaphor for the individual’s subjective perspective. The labyrinth can thus become the place to escape from or the place to enter in order to find oneself.
“There must be an exit, it’s more than certain.
But you don’t seek it,
it seeks you,
and it has been chasing you from the very beginning,
and the labyrinth is nothing else but your,
as long as possible,
your escape, escape–“
(excerpt from “Labyrinth” by Wislawa Szymborska)
Music: Piero Corso
Dance and voice: Margherita Landi
LUCKY (2018)
The project is a reflection on intimacy aimed at raising questions about identity. Am I the one creating intimacy? Am I the one violating it? Or am I the one being violated? The subjectivity of emotions and the proximity between human beings are therefore some of the themes explored. The poetry of Wislawa Szymborska becomes the mantra of the movement on stage, projecting an idea of the labyrinth as a metaphor for the individual’s subjective perspective. The labyrinth can thus become the place to escape from or the place to enter in order to find oneself.
“There must be an exit, it’s more than certain.
But you don’t seek it,
it seeks you,
and it has been chasing you from the very beginning,
and the labyrinth is nothing else but your,
as long as possible,
your escape, escape–“
(excerpt from “Labyrinth” by Wislawa Szymborska)
Music: Piero Corso
Dance and voice: Margherita Landi
